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Introduction |
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3 |
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Love and War in Cligés |
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6 |
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Of Cligés and Cannibalism |
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19 |
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Honor, Debate, and Translatio imperii in Cligés |
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33 |
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Chrétien de Troyes's Cligés in the Medieval Mediterranean |
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48 |
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The Fifteenth-Century Prose Cligés: Better Than Just Cutting to the Chase |
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Joan Tasker Grimbert |
62 |
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REVIEWS |
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Tracy Adams, Violent Passions: Managine Love in the Old French Verse Romance |
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Kathy M. Krause |
73 |
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Michael Alexander, Medievalism: The Middle Ages in Modern England |
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Roger Simpson |
75 |
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Cyril Edwards, ed. and trans., German Romance Volume III:
Hartmann vol Aue: Iwein or the Knight with the Lion
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Joseph M. Sullivan |
77 |
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Douglas Kelly, Christine de Pizan's Changing Opinion: A Quest for Certainty in the Midst of Chaos |
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Nadia Margolis |
78 |
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King Arthur: A Dramatick Opera,
Music by Henry Purcell, Libretto by John Drysen, Director: Mark morris
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Don Hoffman |
80 |
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Laura Cooner Lmbdin and Robert Thomas Lambdin, eds.,
Arthurian Writers: A Bibliographical Encyclopedia
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Roberta Davidson |
81 |
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F.H.M. Le Saux, A Companion to Wace |
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Julia Marvin |
82 |
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Gretchen Mieszkowski, Medieval Go-Betweens and Chaucer's Pandarus |
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Holly A. Crocker |
83 |
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Thomas H. Ohlgren, Robin Hood: The Early Poems |
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John Marshall |
85 |
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Tison Pugh, Sexuality and Its Queer Discontents in Middle English Literature |
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Gary Lim |
87 |
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Roger Simpson, Radio Camelot: Arthurian Legends on the BBC, 1922-2005 |
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Jeffrey Richards |
88 |
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Robert M. Stein, Reality Fictions: Romance, History, and Governmental Authority, 1025-1180 |
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Laurie A. Finke |
90 |
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Yves Vadé, Pour un tombeau de Merlin: Due barde celte à la poésie moderne |
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Anne Berthelot |
92 |
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THE ROUND TABLE |
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Arthurnet: You Say Briton, I Say Breton |
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Judy Shoaf |
94 |
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